What the data shows
What does it mean for a contemporary artist to step into the shoes of a character from a 1973 play? This question is at the forefront as Rebecca Lucy Taylor, known to many as the pop star Self Esteem, takes on the role of Maggie in the revival of Teeth ‘n’ Smiles at the Duke of York’s Theatre. The answer is clear: Taylor brings a fresh perspective to a character steeped in the complexities of self-identity and the chaotic backdrop of a 1969 university ball.
Teeth ‘n’ Smiles, originally penned by David Hare, is set during a tumultuous gig at Jesus College Cambridge’s May Ball. The play, which first graced the stage in 1975, has been revived under the direction of Daniel Raggett, who aims to breathe new life into this classic work. Critics have noted that while the production may not resonate with the same urgency today, Taylor’s performance has been described as “sensational,” showcasing her ability to embody Maggie’s self-loathing and resilience.
As Taylor navigates the character’s emotional landscape, she is supported by original songs from Nick and Tony Bicât, which add a layer of authenticity to the production. The play runs until June 6, 2026, and has garnered an average rating of 3.2 stars from critics. This rating reflects a mixed reception, with some praising the performances while others question the relevance of the material in today’s context.
Critics have offered varied opinions on the revival. Sarah Crompton remarked on Taylor’s compelling portrayal, stating, “Taylor is sensational as Maggie, full of self-loathing and fight in almost equal measure, staggering around the stage but never going down.” In contrast, Fiona Mountford posed a critical question: “Does it have anything of burning import to say to us in 2026? The awkward answer is a resounding ‘No.'” This dichotomy highlights the challenges faced by productions that seek to revive older works in a modern setting.
Despite the mixed reviews, the production has attracted attention from theatre enthusiasts, with over 100,000 theatremakers relying on platforms like The Stage for news and reviews. The ticket prices, combined with the critics’ ratings, suggest a value rating of 26, indicating a fair balance between cost and quality for audiences. Those interested in experiencing this unique blend of music and drama have until early June to catch the show.
As Taylor continues to shine on stage, her dual identity as a pop star and actress invites a broader conversation about the intersections of music and theatre. Adam Bloodworth noted, “Self Esteem’s live performances with the band…are compelling,” suggesting that Taylor’s musical background enriches her theatrical presence. This crossover appeal may draw in a diverse audience, eager to see how her artistry translates to the stage.
Looking ahead, the future of Teeth ‘n’ Smiles remains uncertain. While the production has its critics, it also offers a platform for discussion about the evolution of theatre and the relevance of past narratives in contemporary society. As audiences reflect on the themes presented, the revival serves as a reminder of the enduring power of storytelling, regardless of its origins.
In a world where the arts continue to evolve, Rebecca Lucy Taylor’s performance is a testament to the resilience of theatre as an art form. As the curtain falls on this revival, one can only wonder what new stories will emerge from the intersection of past and present.
